As an octogenarian, Werner Herzog is considered a cultural icon that operates entirely on his own terms. In the vein of his quirky and captivating cinematic works, Herzog's newest volume defies traditional rules of storytelling, merging the distinctions between truth and fiction while exploring the very essence of truth itself.
This compact work presents the director's opinions on truth in an period saturated by AI-generated misinformation. The thoughts seem like an elaboration of his earlier manifesto from the late 90s, including powerful, cryptic viewpoints that cover despising documentary realism for clouding more than it reveals to unexpected statements such as "choose mortality before a wig".
A pair of essential concepts shape his interpretation of truth. Initially is the notion that pursuing truth is more important than ultimately discovering it. In his words explains, "the journey alone, drawing us toward the hidden truth, enables us to participate in something essentially unattainable, which is truth". Furthermore is the belief that bare facts deliver little more than a uninspiring "accountant's truth" that is less useful than what he calls "rapturous reality" in assisting people comprehend existence's true nature.
Were another author had authored The Future of Truth, I suspect they would face critical fire for taking the piss from the reader
Experiencing the book resembles listening to a hearthside talk from an fascinating uncle. Within numerous compelling stories, the weirdest and most remarkable is the story of the Palermo pig. In the author, once upon a time a pig became stuck in a upright waste conduit in Palermo, the Italian island. The animal stayed wedged there for a long time, existing on bits of food tossed to it. In due course the animal assumed the shape of its pipe, transforming into a kind of translucent cube, "spectrally light ... unstable as a large piece of jelly", taking in nourishment from aboveground and eliminating waste beneath.
Herzog employs this story as an symbol, linking the Sicilian swine to the dangers of extended cosmic journeys. If humanity embark on a journey to our closest inhabitable planet, it would require hundreds of years. Over this duration Herzog imagines the courageous voyagers would be obliged to mate closely, becoming "changed creatures" with no understanding of their journey's goal. In time the space travelers would morph into light-colored, larval beings rather like the Palermo pig, equipped of little more than ingesting and defecating.
The disturbingly compelling and inadvertently amusing transition from Italian drainage systems to interstellar freaks offers a lesson in Herzog's notion of ecstatic truth. As followers might discover to their surprise after attempting to confirm this captivating and biologically implausible cuboid swine, the Italian hog seems to be mythical. The pursuit for the limited "literal veracity", a existence grounded in simple data, ignores the point. What did it matter whether an incarcerated Mediterranean creature actually transformed into a trembling gelatinous cube? The actual lesson of Herzog's story suddenly becomes clear: restricting animals in small spaces for prolonged times is unwise and generates aberrations.
If a different author had written The Future of Truth, they would likely receive negative feedback for strange structural choices, digressive remarks, conflicting ideas, and, frankly speaking, mocking from the public. In the end, Herzog allocates multiple pages to the histrionic plot of an musical performance just to demonstrate that when creative works include intense feeling, we "channel this absurd kernel with the full array of our own emotion, so that it appears mysteriously real". Yet, because this volume is a compilation of particularly the author's signature thoughts, it escapes negative reviews. The sparkling and imaginative translation from the source language – where a crypto-zoologist is described as "lacking full mental capacity" – remarkably makes the author increasingly unique in tone.
Although a great deal of The Future of Truth will be recognizable from his previous publications, films and discussions, one comparatively recent component is his meditation on deepfakes. Herzog refers more than once to an algorithm-produced continuous dialogue between fake voice replicas of the author and another thinker in digital space. Since his own approaches of attaining rapturous reality have featured creating quotes by prominent individuals and casting actors in his non-fiction films, there is a potential of hypocrisy. The separation, he contends, is that an intelligent person would be reasonably equipped to recognize {lies|false
A passionate sports journalist with over a decade of experience covering Italian football and local Turin events.